2 edition of altar-piece of the Apocalypse from Master Bertram"s workshop in Hamburg found in the catalog.
altar-piece of the Apocalypse from Master Bertram"s workshop in Hamburg
C. M. Kauffmann
Includes bibliographical references.
|Statement||by C. M. Kauffmann.|
|Series||Monograph / Victoria and Albert Museum -- no. 25, Museum monograph (Victoria and Albert Museum) -- no. 25.|
|LC Classifications||ND588.B46 K3|
|The Physical Object|
|Pagination||, 50 p.|
|Number of Pages||50|
Types of Altarpieces. There are two basic types of altarpiece. (1) The reredos, a large and often elaborate construction in wood or stone, typically rising from the floor behind the es include: St Mary, Krakow () carved by Veit Stoss; St Jakob Kirche, Rothenburg () carved by Tilman Riemenschneider; High Altar of the Virgin Mary (), at Saint Nicholas at. Curiously, however, the carvings and paintings of the Grabow Altarpiece (Hamburg, Kunsthalle), best known for the paintings of Master Bertram von Minden or the later fifteenth-century achievements of Lübeck (Hermen Rode), are omitted, except for a passing citation (24). In general the accomplishments of North Germany are absent (as in Baxandall).
Western painting - Western painting - International Gothic: The style of European painting prevalent during the last half of the 14th century and the early years of the 15th is frequently called International Gothic. There were certainly at that time features common to European painting generally. In particular, figures were elegant and graceful, yet at the same time there was a certain. His key works are the signed and dated altarpiece in the city parish church of Bad Wildungen (), and the Marian altarpiece of c in the Marienkirche in Dortmund. A surviving contract of records that the wealthy couple, Conrad von Soest and Gertrud van Münster, married in Dortmund, witnessed by the city’s most distinguished burghers.
London, , pp. 78–82, –17, dates the altarpiece and observes that it shows the signs of workshop collaboration; attributes the central "Sacra Conversazione," the Resurrection, and the Deposition to the dominant hand and the remaining scenes to workshop assistants; adds to the master's oeuvre a Saint Nicholas panel in the Saint. History of Tapestry Art. Carolingian/Ottonian Tapestries. The use of tapestries in Western Europe - mainly for the decoration of churches and monasteries - was a feature of Carolingian art () and subsequent Ottonian art (), although no examples of these early wall-hangings remain. One of the oldest surviving specimens is the famous Bayeux Tapestry (c, Bayeux Museum.
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Additional Physical Format: Online version: Kauffmann, C.M. (Claus Michael), Altar-piece of the Apocalypse from Master Bertram's workshop in Hamburg.
An Altar-piece of the Apocalypse from MASTER BERTRAM’s Workshop in Hamburg. [Kauffmann, C. M] on *FREE* shipping on qualifying offers. An Altar-piece of the Apocalypse from MASTER BERTRAM’s Workshop in : C. M Kauffmann. AN ALTAR- PIECE OF THE APOCALYPSE (• VI CTO RI A AN D ALBERT MUSEUM An Altar -piece of the Apocalypse from Master Bertram' s Workshop in Hamburg B y c.
KA U FFMANN • LON DO N: HER MAJESTY'S STATIONERY OFFICE 19 68 Contents T he Apocalypse altar-piece I Moster Bertram and the style of the altar-piece 3.
He died in Hamburg. Works. His most famous surviving work is the large Grabow Altarpiece (or Petri-Altar) in the Kunsthalle Hamburg, the largest and most important North German painting of the period.
There is a scene altarpiece of the Apocalypse, probably by his workshop, in the Victoria and Albert Museum in London. Master Bertram (c. Minden - c.
Hamburg), also known as Meister Bertram and Master of Minden, was a German International Gothic painter primarily of religious art. His most famous surviving work is the large Grabow Altarpiece (or Petri-Altar) in the Kunsthalle Hamburg, the largest and most important North German painting of the is a scene altarpiece of the Apocalypse.
Master Bertram von Minden worked in Hamburg, painting in various churches towards the end of the 14th century. Altarpieces with scenes from the last book of the Bible, the Revelation of St John the Divine (the Apocalypse) are rare. This panel, one of. Whatever the reasons, it is the scenes on the back that are closest to the style of Master Bertram, and in particular they resemble the Buxtehude altar-piece (Hamburg, Kunsthalle).
This is now held to be by a follower of Bertram, probably c, and it seems reasonable to date in the same period.
The altarpiece, which was bought inhad undergone major conservation and restoration treatment prior to its acquisition, including the transfer of the paintings from their original panels onto canvas. The original engaged frame had been refitted around the canvases and repainted.
This article will examine the ethical, cultural and contextual considerations involved in the decision of. Central panel from an altarpiece depicting the Apocalypse, by Master Bertram, Hamburg, Germany, about My grandfather was what you might have termed, a rounder.
He had a very colorful life with many interesting adventures before he came to the faith somewhat later in life. Scenes from the Apocalypse. Stuart Frost Decem the last book in the Bible that describes events at the end of the world. The quality of the painting revealed by the recent work suggests that the altarpiece was made in the workshop of Master Bertram and that it should be added to the number of other surving paintings.
An altar-piece of the Apocalypse from Master Bertram's Workshop in Hamburg, Victoria & Albert Museum, London, Romanesque MSSHarvey Miller, London, Paintings, water-colours and miniatures, Victoria & Albert Museum, London, ISBN Claus M.
Kauffmann, An Altar-piece of the Apocalyse from Master Bertram’s Workshop in Hamburg (London: Victoria and Albert Museum, ), p. 27, fig. Peter Brieger, ‘Manuscripts’, in Art and the Courts: France and England from toThe National Gallery of Canada, (Ottowa: National Gallery, ), pp.
(pp. - Buy Person (Kreis Minden-Lubbecke): Meister Bertram, Lars Windhorst, Ernst Wilm, Walther Victor, Johann Heinrich Volkening, Elsbeth book online at best prices in india on Read Person (Kreis Minden-Lubbecke): Meister Bertram, Lars Windhorst, Ernst Wilm, Walther Victor, Johann Heinrich Volkening, Elsbeth book reviews & author details and more at Free Author: Bucher Gruppe.
Master Bertram of Munden (b?Minden, fl ; d Hamburg, between 20 Feb and 13 May ). German painter, illuminator and wood-carver. His major work, the Grabow Altarpiece (Hamburg, Ksthalle), a combination of carved figures and painted scenes, is one of the high points of late 14th-century north German art.
An Altar-piece of the Apocalypse from Master Bertram's workshop in Hamburg () British water-colours () German domestic silver (). Museum Victoria: free download. Ebooks library. On-line books store on Z-Library | B–OK. Download books for free. Find books. Meister Bertram in der Hamburger Kunsthalle by Bertram (Book) Erschaffung, Fall und Wiederbringung des Lichts: zum Bildprogramm des St.-Petri-Altars in der Hamburger Kunsthalle ; [erweiterte Fassung eines Vortrages, gehalten in der wissenschaftlichen Sitzung der Joachim-Jungius-Gesellschaft der Wissenschaften am MASTER Bertram Grabow Altarpiece: Creation of the Animals (detail) Tempera on wood, 80 x 57 cm Kunsthalle, Hamburg Slide CRANACH, Lucas the Elder The Paradise Limewood, 81 x cm Kunsthistorisches Museum, Vienna.
Master Bertram (c. Minden - c. Hamburg), also known as Meister Bertram and Master of Minden, was a German International Gothic painter primarily of religious art.
His most famous surviving work is the large Grabow Altarpiece (or Petri-Altar) in the Kunsthalle Hamburg, the largest and most important North German painting of the period.
St Peter (Grabow) Altarpiece Tempera on wood, x cm Kunsthalle, Hamburg: When the first wings of the altarpiece are opened, twenty-four painted panels, a solid screen of colour, are displayed with narratives placed in two rows, one over the other.
The Trinity College Apocalypse (London ) 12; C. Kauffmann, An Altar-piece of the Apocalypse from Master Bertram's Workshop in Hamburg (London )46, figs.19; R. Emmerson, Antichrist in the Middle Ages: A Study of Medieval Apocalypticism, Art, and Litera ture (Seattle ) DRESDEN, S?chsische Landesbibliothek MS.An altar-piece of the Apocalypse from master Bertram's workshop in Hamburg: Apokalypsealtar: Bertramus: hoc est, Perpetuus orthodoxæ ecclesiæ de verbis sacræ cœnæ consensus: De corpore et sanguine Domini Liber: Geburt christi: Grabow altaarstuk: Grabowský oltář: Hauptaltar von Sankt Petri in Hamburg: Meister Bertram.Kunstchronik 3 (), p.ascribes the Bielefeld Altarpiece not to a follower of Conrad von Soest, but to a contemporary of the same age or older who worked in the tradition of Master Bertram, and who came under the influence of the art of the West; dates the Berswordt Altarpiece before the work in Bielefeld, in agreement with an oral.